I think it is strange how people will make fun of an American accent in media where it doesn't belong (that one Robin Hood movie), but don't seem to have any issue with English accents where they don't belong (Leslie Howard in Gone With The Wind).
I get the sense that for Americans, the generic American accent is sort of the default, the southern/Texan drawl represents folksiness or the Wild West, the generic British accent is used to sound old, to sound formal or excessively polite/fancy, or in fantasy settings, and then there are just some handful of racial stereotype accents.
Astute listeners may pick up on more subtle accents like New York or New England accents.
I think it is strange how people will make fun of an American accent in media where it doesn't belong (that one Robin Hood movie), but don't seem to have any issue with English accents where they don't belong (Leslie Howard in Gone With The Wind).
Technically in all Shakespearian plays, everyone should be talking vaguely like pirates
My accent is, well, it's one of the main reasons why I don't put recordings of my voice on the internet (the other reason is that a voice is a large part of a person. I'm not going to reveal that much of myself in public).
It's too boring and generic to be interesting, too rural and redneck for me to narrate anything, and not rural enough to hide the fact that I come from a dirty quasi-liberal college town and have grown up in a world of mass media.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
I always thought that looked cool, but I can't be bothered to learn how to do it.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
I think it is strange how people will make fun of an American accent in media where it doesn't belong (that one Robin Hood movie), but don't seem to have any issue with English accents where they don't belong (Leslie Howard in Gone With The Wind).
Technically in all Shakespearian plays, everyone should be talking vaguely like pirates
Or from, y'know, with a Western Scottish accent. Or a Cornish or Black Country one. It's in that area.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Does anyone else do that thing where you make up ways to split up an imaginary estate, and then turn it into something that sounds like a logic puzzle?
First, let each inheritor bring two stones, one in each hand. Lay all the stones of the inheritors on the table. Remove one stone, for God. Place the rest in a jar. Let each stone represent an equal portion of the estate. All inheritors must receive at least one stone's worth of the estate.
Second, place a number of sticks in a jar, that number being equal to the number of inheritors. Let each stick represent an equal portion of the estate. No inheritor may be granted more than two sticks' worth.
Then, place some number of pebbles in a jar. Let each pebble represent an equal portion of the estate. Let all inheritances be measurable in pebbles. The difference, in pebbles, between the largest and next-to-largest inheritance shall be equal to the difference, in pebbles, between the next-to-smallest and smallest inheritance, and shall also be equal to the difference, in pebbles, between the next-to-largest and next largest inheritances, and the next-to-next-to-smallest to the next-to-smallest inheritances, and so forth, that all may proceed as is harmonious.
I have a pet peeve that is the reverse of XKCD 483.
It bothers me when I see phrases or words used in fiction that should be specific to Real-Life Earth..
Like that old Star-Wars tie in book from 1979 that my uncle had, The Maverick Moon. "Maverick" as an adjective comes from Samuel Maverick refusing to brand his cattle (and thus getting to claim that any unbranded cattle were his).
It's like using "Chauvinist", "Achilles' Heel", or "Draconian" (Baldur's Gate made this mistake).
Comments
I think it is strange how people will make fun of an American accent in media where it doesn't belong (that one Robin Hood movie), but don't seem to have any issue with English accents where they don't belong (Leslie Howard in Gone With The Wind).
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
I get the sense that for Americans, the generic American accent is sort of the default, the southern/Texan drawl represents folksiness or the Wild West, the generic British accent is used to sound old, to sound formal or excessively polite/fancy, or in fantasy settings, and then there are just some handful of racial stereotype accents.
Astute listeners may pick up on more subtle accents like New York or New England accents.
It's too boring and generic to be interesting, too rural and redneck for me to narrate anything, and not rural enough to hide the fact that I come from a dirty quasi-liberal college town and have grown up in a world of mass media.
Also, Original Pronunciation Shakespeare is weird and fascinating. Sounds like sideways Scottish to me.
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead