Since we've been on a tangent about them elsewhere, let's have at it.
My opinion is that the best is Sleeping Beauty. Now this is how you adapt a fairy tale to film: you don't change the original story, you make the most of the fact that it runs to a few thousand words in Perrault or Grimm to flesh it out. I don't think anyone will disagree that Maleficent's characterization is a great example of that. Then you add music based on Richard Wagner's principle of "music drama".
As for the worst, I've already talked about Pocahontas (changing history is just plain worse than changing a work of literature).
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As for the best, I was always fond of The Great Mouse Detective.
I haven't even seen Pocahontas; I suspect the historical inaccuracy would drive me up the wall.
Alice in Wonderland is enjoyable, methinks.
I think we should only be counting theatrical (and non-Pixar) films, Bee. DTV is a target-rich environment for the bad end, and I'd like to be balanced.
The Great Mouse Detective is an overlooked gem. And from the "Disney renaissance", I think Beauty and the Beast was excellent, despite axing Belle's sisters and using talking tableware instead of the monkey butlers.
but yeah cultural sensitivity and faithful adaptation is not Disney's strong suit (Mulan is largely an exception); Pocahontas wasn't true to the source material, but Greeks were pissed about Hercules, and Aladdin is borderline racist
Sleeping Beauty is fantastic and a strong contender for best imo. It's not entirely faithful to the source material, but i think they conveyed the spirit of the fairy tale which is the main thing
not sure about the worst, i've heard bad things about most of their early 2000s fare but i haven't even bothered watching them so idk
Ancient Greece as heritage must be precisely it.
"Part of Your World, Under the Sea and Poor Unfortunate Souls" <-- ugh, no, Under the Sea isn't one. No fairy tale is improved by a singing Jamaican crab.
I also have no idea how the heck it's racist for a black person to be enchanted into a frog. The only racial issue in that movie is how changing it from Germany to New Orleans was a mercenary attempt to diversify their Princess products.
i think they're just incompetent; from what i've heard they tried very hard to treat that one with sensitivity
with the older movies i think it's a question of changes in values; the mainstream media became a lot more aware of issues of racism and prejudice after the 1960s, before then they probably didn't give it much thought
I also remember finding The Emperor's New Groove agreeably silly.
Some people said it, but it's not true.
i think their intentions were benign, they're just participating in a larger orientalizing myth that's pervasive in Western culture
because she outgrew her b-shells
</oldjoke>
I can sort of see the argument for Princess and the Frog, since the one black princess spends most of her time not even human. Then again, African mythology is about as chock full as it gets of metamorphoses.
i'm not sorry
Anyway, The Black Cauldron, has anyone ever actually seen that one
I enjoyed Robin Hood as a kid, but it's like the most obvious example of when Disney didn't give features an animation budget (hi Baloo).
Everything else was a rip-off, though.
101 Dalmatians was also great
Sleeping Beauty was my favourite when i was very young, so i think nostalgia possibly colours my impression of it; i should rewatch it sometime
You know, I forgot that Disney made the Aristocats. Thought someone else did that for some reason.
Disney's dog movies were great. Lady and the Tramp might not be as good overall as 101 Dalmatians, but the dinner scene is iconic. I don't think the big romantic moments in the fairy tale films top it, thouigh B&B's is fantastic.
Disney animated features based on novel(la)s:
Pinocchio, Bambi, Alice in Wonderland, Peter Pan (sort of), 101 Dalmatians, The Sword in the Stone (and T.H. White's Arthur novels aren't really for kids), The Jungle Book, Winnie the Pooh, The Rescuers, The Fox and the Hound, The Black Cauldron, The Great Mouse Detective, The Hunchback of Notre Dame, Tarzan, and Treasure Planet (I guess).
Except Pooh, I wonder if the ones with animal protagonists are even in print, or if they're only remembered as Disney movies.
of all The Once and Future King books, it's the most child-friendly
certainly in the UK, Kipling's books are considered classics, maybe he's not as much of a big deal in the US?
i get so angry sometimes i just punch plankton --Klinotaxis