I'm currently reading The Metamorphosis, as aside from Kakfa's parable "Before the Law" (which is wonderful, for anyone who hasn't read it) I haven't read any of Kafka's work.
As for my to read list, I'm going to re-read "The Ethics of Ambiguity" and read "The Second Sex" by Simone De Beauvior. And also "What is Metaphysics" by Heidegger.
Also gonna try again on making it through "Being and Nothingness" and "Being and Time", but I don't expect to
Finished reading Anno Dracula today. Threw a few curveballs at the end, to my pleasant surprise. I was still a bit disappointed we didn't see more of "the Limehouse Court", though; I was hoping for another scene with them.
Currently going through Invisible Cities in my free time
I'm reading The Thousandfold Thought, Negative Dialectics, and a horror anthology I forget the name of currently. After those are done, I'll switch to the Swamplandia.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Lumine will be happy to know I've decided to re-read The Reptile Room, i.e. the second book in Lemony Snicket's A Series of Unfortunate Events. I want to see if it's as fun as I remember it being.
"It is a matter of grave importance that Fairy tales should be respected.... Whosoever alters them to suit his own opinions, whatever they are, is guilty, to our thinking, of an act of presumption, and appropriates to himself what does not belong to him." -- Charles Dickens
Door stopper, really? It's about 12,000 hexameter lines (which became the standard length for epics). My preferred translation (Pope) runs to ~122,000 words, which isn't much more than The Hobbit.
Meanwhile, I'm starting on the Third Book of Gargantua and Pantagruel. Rabelais was a silly, silly writer.
Now reading Even Cowgirls Get the Blues by Tom Robbins. He kinda reminds me of a simpler, more accessible Thomas Pynchon. Who, incidentally, is quoted on the front cover. Wheeeeee
Door stopper, really? It's about 12,000 hexameter lines (which became the standard length for epics). My preferred translation (Pope) runs to ~122,000 words, which isn't much more than The Hobbit.
Meanwhile, I'm starting on the Third Book of Gargantua and Pantagruel. Rabelais was a silly, silly writer.
Maybe it's just the giant copy Friday owns. I should open it up and see if the text size is on the large size.
Also It just clicked I was thinking "The Iliad" when I wrote that. Which has about 3,000 more lines. Though, I'll grant that might still be a bit shy of "Door stopper".
Found an awesome poem in this early '60s book called An Anthology Of Modern Japanese Poetry. It's called "Raskolnikov", and it was written by this anarchist-Dadaist activist-poet yclept Hagiwara Kyojiro (or Kyoujirou Hagiwara to people that, you know, speak English and stuff). It's frigging awesome. Sadly his poery is otherwise nigh-impossible to find.
"It is a matter of grave importance that Fairy tales should be respected.... Whosoever alters them to suit his own opinions, whatever they are, is guilty, to our thinking, of an act of presumption, and appropriates to himself what does not belong to him." -- Charles Dickens
Maybe it's just the giant copy Friday owns. I should open it up and see if the text size is on the large size.
Also It just clicked I was thinking "The Iliad" when I wrote that. Which has about 3,000 more lines. Though, I'll grant that might still be a bit shy of "Door stopper".
Totally epics:
The Iliad is 15,700 hexameters. The Odyssey, Aeneid, and Metamorphoses are 12,000 each. The Divine Comedy is ~15,000 eleven-syllable lines. Paradise Lost is 12,000 pentameters.
Meanwhile, the Ramayana is 24,000 sloka (16-beat rhymed couplets) and the Mahabharata has no fixed length, but 74,000 couplets common to every recension. Now that's a door stopper.
Finished The Waste Lands (third Dark Tower book). Not quite as good as the second book because it felt disjointed halfway through and dragged a little bit. But, I still liked it.
Started up Gravity's Rainbow a few days ago; dunno what to say about it so far. Also, reading The Hollow alongside it because I can
"It is a matter of grave importance that Fairy tales should be respected.... Whosoever alters them to suit his own opinions, whatever they are, is guilty, to our thinking, of an act of presumption, and appropriates to himself what does not belong to him." -- Charles Dickens
"[Newsday columnist Mike McGrady] decided to design an experiment to test the depths of the American cultural morass. He would commission the writing of a novel lacking in any redeeming features"
Smut? Low standards? N-no, I thought it was by naked Albert Camus!
"It is a matter of grave importance that Fairy tales should be respected.... Whosoever alters them to suit his own opinions, whatever they are, is guilty, to our thinking, of an act of presumption, and appropriates to himself what does not belong to him." -- Charles Dickens
"It is a matter of grave importance that Fairy tales should be respected.... Whosoever alters them to suit his own opinions, whatever they are, is guilty, to our thinking, of an act of presumption, and appropriates to himself what does not belong to him." -- Charles Dickens
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
^ Since when does being divorced mean you can't have a kid?
I rather enjoyed it. Had many of the usual elements I like: a cheerfully implausible plot, lots of odd digressions, eccentric characters, and occasional tits
There was a lot of, er, philosophical conversation in it, mostly from one character in particular. I could imagine some people finding it tiresome, but I tend to like that stuff. It also had a sort of humanistic theme focusing on individualism, anti-consumerism, and gender equality, which I can dig.
Comments
I'm reading Ulysses.
It's zany.
I tried to read Ulysses
I failed.
I failed harder than anyone has ever failed at anything.
For uni, William Wycherley's The Country Wife.
I am currently reading Donald Barthelme's 60 Stories. Donald Barthelme was one of the chief postmodernists and as such is a god in my canon.
I was also reading John Hawkes' The Cannibal but to be honest I think I may put it aside for a while. Not really getting it.
The last thing I read was....an essay on klein bottles.
I really have no life.
As for my to read list, I'm going to re-read "The Ethics of Ambiguity" and read "The Second Sex" by Simone De Beauvior. And also "What is Metaphysics" by Heidegger.
Also gonna try again on making it through "Being and Nothingness" and "Being and Time", but I don't expect to
i get so angry sometimes i just punch plankton --Klinotaxis
I swear it was written by an anorak.
i get so angry sometimes i just punch plankton --Klinotaxis
Meanwhile, I'm starting on the Third Book of Gargantua and Pantagruel. Rabelais was a silly, silly writer.
i get so angry sometimes i just punch plankton --Klinotaxis
Totally epics:
The Iliad is 15,700 hexameters.
The Odyssey, Aeneid, and Metamorphoses are 12,000 each.
The Divine Comedy is ~15,000 eleven-syllable lines.
Paradise Lost is 12,000 pentameters.
Meanwhile, the Ramayana is 24,000 sloka (16-beat rhymed couplets) and the Mahabharata has no fixed length, but 74,000 couplets common to every recension. Now that's a door stopper.
Started up Gravity's Rainbow a few days ago; dunno what to say about it so far. Also, reading The Hollow alongside it because I can
I've also tried to read Leviathan, but it seems a little dry.
"[Newsday columnist Mike McGrady] decided to design an
experiment to test the depths of the American cultural morass. He would
commission the writing of a novel lacking in any redeeming features"
Smut? Low standards? N-no, I thought it was by naked Albert Camus!
Gore Gore of Gor.
I rather enjoyed it. Had many of the usual elements I like: a cheerfully implausible plot, lots of odd digressions, eccentric characters, and occasional tits
There was a lot of, er, philosophical conversation in it, mostly from one character in particular. I could imagine some people finding it tiresome, but I tend to like that stuff. It also had a sort of humanistic theme focusing on individualism, anti-consumerism, and gender equality, which I can dig.
So yeah, 9/10, would read again