You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Heapy With What You Have To Be Heapy With to be heapy with what you have you have to be heapy with what you have to be heapy with what you have to be heapy wiiiiiiith
What ones have you heard/liked? i might be able to make some recommendations.
Full album-wise, I have heard In the Court of the Crimson King, In the Wake of Poseidon, Larks' Tongues in Aspic and... I think that I have heard one or two of their mid-'70s releases, like Lizard and Starless and Bible Black, but that was a long time ago, like when I was in middle school. I have also heard bits and pieces of Red and their work with Adrian Belew.
They really have a huge catalogue. I am not sure where to start, but the perverse part of me screams, "Most difficult albums! Hit me!"
Court, Lark's Tongues, Starless and Red are all musts. Lizard is also great, tho often overlooked; i've heard it called challenging but it really isn't if you keep in mind that they originally set out to play jazz-rock.
i wouldn't say KC really have difficult albums so much as difficult individual tracks ("Providence" on Red is arguably one such track, for instance). The live albums (which i'm afraid i don't know nearly as well as the studio albums) tend to feature more in the way of freeform improvisation; THRaKaTTaK is a good example. Of the later studio albums with Adrian Belew, Thrak is nice because it contains a fairly even mix of memorable songs and experimental instrumental pieces.
I've learned to tolerate drama...except on the boat
Yes
Disney bought Jumbo Pictures, and with it the Doug IP, in 1996, and revived the series for ABC. They then made Jim Jinkins and David Campbell work on stuff like 101 Dalmatians: The Series
(Presumably, Disney still owns the Doug IP, along with their version of the show, though Nickelodeon's version of the show is under their ownership, at least in North and South America; the rights in the rest of the world are held by Ellipse Programme, unless someone gobbled them up or Nickelodeon bought those rights)
actually if you like their more experimental stuff the albums the various Projeckts recorded might be the place to start
i'm not sure if they're actually 'more difficult', but they're certainly the last thing i'd ordinarily recommend as an introduction, while by no means bad albums, which has to mean something
Court, Lark's Tongues, Starless and Red are all musts. Lizard is also great, tho often overlooked; i've heard it called challenging but it really isn't if you keep in mind that they originally set out to play jazz-rock.
i wouldn't say KC really have difficult albums so much as difficult individual tracks ("Providence" on Red is arguably one such track, for instance). The live albums (which i'm afraid i don't know nearly as well as the studio albums) tend to feature more in the way of freeform improvisation; THRaKaTTaK is a good example. Of the later studio albums with Adrian Belew, Thrak is nice because it contains a fairly even mix of memorable songs and experimental instrumental pieces.
actually if you like their more experimental stuff the albums the various Projeckts recorded might be the place to start
i'm not sure if they're actually 'more difficult', but they're certainly the last thing i'd ordinarily recommend as an introduction, while by no means bad albums, which has to mean something
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Comments
anybody remember that
to be heapy with what you have
you have to be heapy with what you have
to be heapy with what you have to be heapy wiiiiiiith
a classic.
i wouldn't say KC really have difficult albums so much as difficult individual tracks ("Providence" on Red is arguably one such track, for instance). The live albums (which i'm afraid i don't know nearly as well as the studio albums) tend to feature more in the way of freeform improvisation; THRaKaTTaK is a good example. Of the later studio albums with Adrian Belew, Thrak is nice because it contains a fairly even mix of memorable songs and experimental instrumental pieces.
i'm not sure if they're actually 'more difficult', but they're certainly the last thing i'd ordinarily recommend as an introduction, while by no means bad albums, which has to mean something
^Buttsax
I ham a rock, I ham an island
ham island
Hi JZ! Haven't seen you in the Trash Heap in a while.
and JZ's avatar is from a KC album cover
this is called "synchronicity" or maybe just "coincidence" to more grounded peoples
buttsaxophone