You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
In Symphogear, the prologue of the first episode and the ending theme suggest that the story will end tragically. The story doesn't usually adopt this tone in the bulk of it but does return to suggesting it at least a few times.
The story ends happily, and as a result this ending betrays the emotional tone that was suggested by these other factors.
Not the other way around. The ending theme did not betray anything.
i felt Madoka had emotional progression and thematic consistency
and i didn't think there was anything ham-handed about it, although i'd agree that the whole thing has a constructed, artificial quality (which i don't think is necessarily bad)
animation quality is one of those things i sort of take for granted but miss it when it's conspicuously absent, whereupon the characters can seem wooden and hard to interpret
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
oh, facial expressions are important to me as well
although i'd say that's as much about the art as about the animation
might be partly why i've tended to gravitate towards American cartoons? the expressions are stylized and easy to read. in anime the facial animation is minimal and the eyes carry most of the expression (outside face faults which are jarring), it's harder for me to interpret
if the usual supposition anime fans make of asterisk war is correct -- that the characters are merely bags of tropes -- then i seem to be defiantly imagining them to be actual people and filling in the gaps between those tropes myself
I'm always of two minds as concerns the "filling the blanks for myself" thought.
i've wondered many times why i do
it just comes automatically to me; i don't even choose to do it -- if anything I have to forcefully try to see something as problematic, and the, it feels awkward
i wonder whether it's because i'm a musician, but then again other people who play far more improvisation-prone music don't think like this either
Struggle to think of the last time I wondered about why I am of two minds, rather than the internal logic itself, actually. Now that I think about it. I think it's similarly automatic, though whichever direction I lean differs depending on a functionally imperceptible amount of variables. Which I similarly disregard considering in the broader sense(s?).
I've also seen Birdemic compared to The Room, but...the first movie makes the second look like a multiple Oscar winner. Tommy Wiseau may be a weirdo, but he at least has some idea of how to shoot a scene. James Nguyen is about as competent as Harold P. Warren.
honestly the quality/state of stuff i dump here is basically "i had this vaguely interesting thought while in the shower, so i wanna jot it down", combined with some "this amused me at the moment" and "i feel frustrated at something"
my posts ITT are just dumb phrases that popped into my head basically
i'd like to think that when i'm replying to other people's posts is an exception, you can be the judge of that, but please keep your appraisal to yourself
Comments
The story ends happily, and as a result this ending betrays the emotional tone that was suggested by these other factors.
Not the other way around. The ending theme did not betray anything.
* characterization
* emotional progression and thematic consistency
Things I apparently care less about:
* animation quality
* plot consistency
In the case of MadoMagi, the characters felt like plot devices, and the symbolism felt forced and ham-handed.
and i didn't think there was anything ham-handed about it, although i'd agree that the whole thing has a constructed, artificial quality (which i don't think is necessarily bad)
animation quality is one of those things i sort of take for granted but miss it when it's conspicuously absent, whereupon the characters can seem wooden and hard to interpret
i'd agree it's subjective, though i guess i usually perceive the 12 basic principles as important
although i'd say that's as much about the art as about the animation
might be partly why i've tended to gravitate towards American cartoons? the expressions are stylized and easy to read. in anime the facial animation is minimal and the eyes carry most of the expression (outside face faults which are jarring), it's harder for me to interpret
it just comes automatically to me; i don't even choose to do it -- if anything I have to forcefully try to see something as problematic, and the, it feels awkward
i wonder whether it's because i'm a musician, but then again other people who play far more improvisation-prone music don't think like this either
i'd like to think that when i'm replying to other people's posts is an exception, you can be the judge of that, but please keep your appraisal to yourself
Tannin Sinstitute
Tachyonic Institution
Technologic Investiture
verb not recognized "2001"
...actually i don't
YNTNT
the second N is there because the K of "know" is silent