So Leigh and I saw Pacific Rim with Justice after church today.
If you were expecting live action Evangelion... don't. Eva might be pretentious, because it's aiming for deep ideas and falling short. Pacific Rim is completely mindless. The kaiju have less depth than in Godzilla movies. The pilots aren't much better, appearing to have been built entirely of blockbuster cliches (hero who quit and took up a working class job because he saw someone die, black commander with a mysterious past). The one character they DO copy is Rei. The downtime in NERV or whatever it was called that was supposed to be used for character development was basically dead air. You're just there for the big action scenes in the third act. The actors are either mediocre or phoning it in (i.e. Idris Elba).
That said, there is one redeeming subplot. The bickering scientists Hermann Gottlieb and Newton Something discover how the kaiju's wormhole works by neurally linking with one's brain. In the course of trying to find a live brain, Newton has to deal with a Hong Kong black marketeer played by a scene-stealing Ron Perlman. (And for some reason, "Hermann Gottlieb" is so English that he says "By Jove!")
But the main thing I walked out of the theatre remembering is how stupid the writing was. "They have two brains, like dinosaurs!" "My robot isn't digital; it's analog!"
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They even gave the aliens "Pin technology" they shoot out these Pin bombs that attach to something before exploding, so it takes a few pins to destroy some ships, but a lot to destroy others.
Get it, Like Battleship, Cause it's battleship, It was made that way because that's what you do in battleship, you put pins in the battleships and they're destroyed, aren't you glad this movie was made like this to be exactly like the game of battleship.
You want to talk about mindless? YOU WANT TO TALK ABOUT MINDLESS?!?!?!
It is in the context of Giant Robo, where the plot revolves around Shizuma reactors having made nuclear reactors obsolete. In Pacific Rim, it comes out of nowhere.
Mo: Huh?
and at the end he's obviously turned around by the experience and grows up.
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
On Tumblr, I've seen more analyses of Pacific Rim than any other thing that geeks obsess over, except for possibly Doctor Who. This may be because everybody on my dash loves that movie, to the point that I can name every named character except for the scientists and whoever Ron Perlman plays (because everybody just calls him Ron Perlman).
They usually go into how it's less about what's being said and more about color choices and how the characters are arranged. The last one I came upon was all about how Raleigh's given the 'talk to the hero about feelings' role that's usually given to the female love interest and how Mako's given the 'deep emotional baggage' that's typically given to the male lead. And I remember one that went into how the female Russian pilot (the Russians are Sasha and Aleksi Raidanovsky, but no one can tell which is which on Tumblr) is shown as more of a leader than the male Russian pilot.
I haven't seen the movie yet, so I can't speak to its quality at all. However, I feel that on some level, Tumblr's just glad that someone made a Michael Bay.Abrams/Snyder-type movie while taking out everything bad about said directors.
The various bits of EU information might also help.
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
I think the combination of 'tons of universe lore that didn't get into the movie' and 'nods to the universe lore inside the actual movie' kind of kicked Tumblr's analysis bug into gear. And Tumblr likes it when its analysis bug is kicked into gear.
i was rather looking forward to watching it too u_u
anyhoo, me and my boyfrond just got done watching Rashomon together
in case you did not already know it is a good film
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Good movie.
i get so angry sometimes i just punch plankton --Klinotaxis
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Also, that's where I saw the phrase All Under Heaven, which is a really cool phrase to use when describing everything.
i get so angry sometimes i just punch plankton --Klinotaxis
Anyway, it looks like this movie is not particularly worth watching, at least, not without a lot of popcorn :)
i get so angry sometimes i just punch plankton --Klinotaxis
Well, I think the Qin Emperor managed that through a sort of tenacious desire to force conformity by any means necessary. Despite pissing lots of people off, he probably had a stable enough power base to keep things running for a while, but dying didn't really help the empire. Especially when one of his sons used eunuch shenanigans (which account for 75% of Chinese political scheming) to usurp rule from the rightful heir. Which of course left rulership in the hands of an Emperor who was young, prone to manipulation, and also not viewed as the rightful heir by various factions in the newly formed Empire.
Not exactly a recipe for successful dynasty continuation...
Anyhow, I probably would have been OK with Pacific Rim being merely intellectually vapid, but there was just so much wrong with the acting, plot, characters, and the bizarre count of overused movie clichés.
I'll grant that the movie did a fairly decent job of avoiding sexist themes, though that's really something all movies should strive for anyhow.
i get so angry sometimes i just punch plankton --Klinotaxis
I should add I find the idea that the Russians somehow breaking gender norms is pretty hilarious considering they where barely onscreen and had pretty much no lines outside of combat.
I also find the idea that the movie had an additional 30 minutes that didn't make it pretty hilarious as it was already well over two hours long. I'm not sure why 2 hours is the new hour in a half for action flicks, but it's a trend I wish would stop.
The only reason I can think of that anyone would call Pacific Rim stupid is because they went in and, consciously or not, decided it would be beforehand. All the characters were well developed, the story managed to have twists without it seeming convoluted or like it was just hiding things for the sake of hiding them (looking at you, Abrams.) , and the worldbuilding was surprisingly nuanced. The action sequences were obviously the best part of the movie. I've heard people criticize them for being loud. Those people should never watch a movie about giant robots fighting giant monsters.
i get so angry sometimes i just punch plankton --Klinotaxis
Almost yes quote.
I'm not sure it counts if the characters are mostly based off 80s and 90s clichés.
I think I can agree with the rest, but it's not really enough to elevate the movie into "good" territory.
I thougyht of that PA Comic too, for the record. I didn't say "decided to dislike." I said they decided it would be a dumb action movie.
Also, here's the thing. Tropes exist for areason. It's kind of ridicolous to say that the characters don't count as developed because they're based on cliches, especially considering how many things the movie pays tribute to. What's important is that the characters work. Do they perform their actions simply because the plot requires it? No. Do they have compelling arcs? Yes. Are their emotional or dramatic moments earned (that is, when the film expects us to sympathize with them or the like, have they been developed enough so that this is possible?)? Yes.
i get so angry sometimes i just punch plankton --Klinotaxis
i get so angry sometimes i just punch plankton --Klinotaxis
But they're not really caricatures. I mean, they don't go out of their way to break every single steeoptype known to man, but they are unique in a few ways at least.
Raleigh is given the sad backstory usually reserved for the sidekick. Tends to be abit less hotblooded than the average giant mecha protagonist.
Mako isn't really s stereotypical character in the first place, so I can't really point out any particular way she breaks the mould.
The commisioner/chief/whatever guy ends up being morethan gjust a generic obstructive bureaucrat, and actually has a very good reasons for not wanting Mako to fight.
The rival guy actually learns from his mistakes pretty quickly, and no one really acts like it was supposed to be a big twist or anything.
Don't you like Gurren Lagann, Justice? That uses a lot more cliches than this movie does, many of them from an anime Gainax actually created. But it worked because it used those cliches in an effective manner.
How were the characters comically badly written? I keep seeing you and other people say that but I haven't seen any actual reasons provided other than they're based on archetypes.
i get so angry sometimes i just punch plankton --Klinotaxis
Well that's just nitpicking.