I like how Dream's only consistent height is "taller than everybody else".
Actually, this is wrong. It's more that the Endless have consistent height scales but that the specific heights aren't set in stone. I quite like that.
I have to say that #73 was a great enough "final issue" to me and that the last two issues are kinda superfluous, but I can understand why Gaiman wanted to end the series at an even 75.
I suppose if I'm reading in chronological order I should get to Sandman Midnight Theatre next, but I think I'll leave that for when I get around to Sandman Mystery Theatre.
The Death story makes me wonder why Gaiman suddenly stopped doing Sandman just when it seemed like he was getting really good at telling these types of stories.
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Also glad you're enjoying it. Makes me excited for this summer.
I thought that you weren't opening this thread until you read it yourself. :P
But I don't ever want anything I write to be in the greedy little hands of the public domain!
HANDS OFF, FUTURE AUTHORS!
Weirdly enough, the most ambitious story in the volume (#50) was once again the one I felt the most ambiguous about.
I can send the issues to anyone upon request.
I'm probably going to be absorbing it for a while.
Death really is the best character.
This is rather amusing considering what Lucifer did.
I'm not entirely sure how to feel about that.
Again, I think I'm gonna have to think on this for a while.
I will have to read some China Mieville sometime, too.
I have come to really like Nuala.
Michael Allred is one of those artists I've always admired, too.
For now, though, I have to note how endearing I find Wildcat although I realize how little sense his character makes.
I have to say that #73 was a great enough "final issue" to me and that the last two issues are kinda superfluous, but I can understand why Gaiman wanted to end the series at an even 75.