> Imipolex G
well, I dunno, the original original is pretty good I think.
Hehe. Yeah I don't usually spend too much time looking at Doom remixes because most of the tracks are just ripoffs of metal tracks.
> Imipolex G
> in any case, this might be my favorite off that album
the 2.7 people who played Black Candles might know it from "Operation: Annihilate"
This one is pretty good too, now that I listen to it isolated. I didn't really notice it because the audio was too low while I was playing NT today. >_<
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Alas, Anonus and Central Avenue have parted ways once more.
But fret not, for the distance that separates us is merely temporary. As soon as the fates next afford us an opportunity to meet face to face, we will once again welcome each other with open arms.
I see people getting into relationships and getting engaged and married, and I'm sat here with four failed relationships in four years, one of which still leaves me bitter and depressed four years after I dumped him.
It happens to everyone at their own speed, and some people, nor even counting aro types, get through most of their lives without finding someone they properly click with.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
I see people getting into relationships and getting engaged and married, and I'm sat here with four failed relationships in four years, one of which still leaves me bitter and depressed four years after I dumped him.
Romance is complicated. Very few people get it right on the first or even second try.
Among the most prominent Japanese composers (although I use the word 'Japanese' superfluously, as even the most well-known American composers are barely competent at best), one in particular stands out to the enlightened video game soundtrack consumer. His name: Yasunori Mitsuda. For the record, this is not to undermine the amazing works of other incredibly talented video game composers such as Uematsu-san or Sakuraba-san, but to highlight the unique, almost celto-tropic music (the word music is an understatement) that Yasunori Mitsuda has been composing for years. It would be sheer ignorance to deny that the Chrono Cross soundtrack is anything but the magnum opus of video game music; its lilting and oftentimes hauntingly peaceful guitar melodies soothe all but the most savage of breasts while its tense battle themes and mysterious donjon tunes ignite a blazing passion that can be quenched only by the video game's profound story and gameplay. It is a wonder that anyone can listen to anything besides video game musical compositions after listening to Mitsuda-san's immensely powerful soundtrack, but given that the primitive thuds of hip hop are America's current choice of 'music' (I use the term music liberally), once can see little hope in the mass appreciation of Mitsuda-san's work.
There is, perhaps, only one medium of art that matches the excellence of video games and that is (obviously) visual kei. Combining absolutely exquisite j-rock and j-pop, sprinkled with hints of video game melodies, with the pyrotechnic visual flare that the Japanese are known for, visual kei takes its viewers on a rollercoaster ride of lights, fanfare, and music that even Beethoven could tap his toes to. Would that I were Japanese, (though under careful scrutiny, it appears my geneology tree does in fact show signs of a Japanese presence) I too would participate in this art of the 21st century and even perhaps venture onto the visual kei stage myself. It is no surprise that the impotent minds of Western society cannot fully grasp the total splendor of visual kei and instead choose to squandor their time listening to rap and country "music".
1. wtf is "celto-tropic"? 2. J-pop is definitely not the best thing ever, nowhere near it. J-rock is even less spectacular. These are opinions, whichare equally as valid as this crap. Enjoy. 3. Never saw the appeal of visual kei but what I've probably experienced of it was probably not notable enough for me to even form an opinion of it. 4. This person sounds like an obnoxious weeb. 5. This person opines horribly.
never thought I'd see such blatant trolling as I have in this forum. Step away from the computer, drop the ham sandwich and back the FRACK off, gaijin. I hate to use that word but you've made me that serious. As hard as it may be for you to fathom, some of us here are actual fans of the Final Fantasy series (pre FFX) and Square's work in general. You can try to bash me for an avatar that I bought because I happen to be a dedicated fan of perhaps the most poignant, painstakingly woven tapestry of love, loss and vengeance ever to be put from pen to paper, but you would fail, just like all of you flamers do in real life. Who can say that the minds at Square Enix (note: appropriate portmanteau is SQUENIX, not the laughable SQUEENIX) were not inspired by the works of William Shakespeare or Chuck Palahniuk? Cloud's bastard sword has more akin with the bastard sons of Macbeth than it does any armament of basilard of the time. The Honey Bee Club in Midgar reminds me more of the Fight Clubs than any brothel. So please, use your brains, not your sarcasm, and step up to the intellectual plate, or leave this forum and take your "haterade" with you.
if you dont notice the thing in his hand it looks kinda like berkeley is doing the hand gesture for sex where you mmake an o shape with your fingers and point yourindex finger thru it.
In the course of my career as a vidcon specialist (my own coinage, spend it wisely), I have never seen such blatant and frankly, sickening ignorance as that exhibited by the "people" (if, in fact, they are homo sapiens at all, as their intelligence implies elsewise) that claim that Zelda is not an RPG. There is nothing that Shigeru "Shiggy" Miyamoto could possibly do to make the vidcon any more of an RPG as it meets every single criterion for being one, particularly that it takes place in an imaginary realm with a fantastical beastiary, the damsel/villain ratio is at or above standards, and that the core emphasis of the gameplay is on bedazzling all foes with impeccable swords and sorcery. Furthermore, this line of thought can be extended to all vidcons in which the player controls a character (hence, roleplaying), though I cringe slightly at the thought of such mundane vidcons as Madden being RPGs, as they do not even include exotic weaponry such as the tonfa.
Among the most prominent Japanese composers (although I use the word 'Japanese' superfluously, as even the most well-known American composers are barely competent at best), one in particular stands out to the enlightened video game soundtrack consumer. His name: Yasunori Mitsuda. For the record, this is not to undermine the amazing works of other incredibly talented video game composers such as Uematsu-san or Sakuraba-san, but to highlight the unique, almost celto-tropic music (the word music is an understatement) that Yasunori Mitsuda has been composing for years. It would be sheer ignorance to deny that the Chrono Cross soundtrack is anything but the magnum opus of video game music; its lilting and oftentimes hauntingly peaceful guitar melodies soothe all but the most savage of breasts while its tense battle themes and mysterious donjon tunes ignite a blazing passion that can be quenched only by the video game's profound story and gameplay. It is a wonder that anyone can listen to anything besides video game musical compositions after listening to Mitsuda-san's immensely powerful soundtrack, but given that the primitive thuds of hip hop are America's current choice of 'music' (I use the term music liberally), once can see little hope in the mass appreciation of Mitsuda-san's work.
There is, perhaps, only one medium of art that matches the excellence of video games and that is (obviously) visual kei. Combining absolutely exquisite j-rock and j-pop, sprinkled with hints of video game melodies, with the pyrotechnic visual flare that the Japanese are known for, visual kei takes its viewers on a rollercoaster ride of lights, fanfare, and music that even Beethoven could tap his toes to. Would that I were Japanese, (though under careful scrutiny, it appears my geneology tree does in fact show signs of a Japanese presence) I too would participate in this art of the 21st century and even perhaps venture onto the visual kei stage myself. It is no surprise that the impotent minds of Western society cannot fully grasp the total splendor of visual kei and instead choose to squandor their time listening to rap and country "music".
1. wtf is "celto-tropic"? 2. J-pop is definitely not the best thing ever, nowhere near it. J-rock is even less spectacular. These are opinions, whichare equally as valid as this crap. Enjoy. 3. Never saw the appeal of visual kei but what I've probably experienced of it was probably not notable enough for me to even form an opinion of it. 4. This person sounds like an obnoxious weeb. 5. This person opines horribly.
never thought I'd see such blatant trolling as I have in this forum. Step away from the computer, drop the ham sandwich and back the FRACK off, gaijin. I hate to use that word but you've made me that serious. As hard as it may be for you to fathom, some of us here are actual fans of the Final Fantasy series (pre FFX) and Square's work in general. You can try to bash me for an avatar that I bought because I happen to be a dedicated fan of perhaps the most poignant, painstakingly woven tapestry of love, loss and vengeance ever to be put from pen to paper, but you would fail, just like all of you flamers do in real life. Who can say that the minds at Square Enix (note: appropriate portmanteau is SQUENIX, not the laughable SQUEENIX) were not inspired by the works of William Shakespeare or Chuck Palahniuk? Cloud's bastard sword has more akin with the bastard sons of Macbeth than it does any armament of basilard of the time. The Honey Bee Club in Midgar reminds me more of the Fight Clubs than any brothel. So please, use your brains, not your sarcasm, and step up to the intellectual plate, or leave this forum and take your "haterade" with you.
1. I'm a fan of FF3j, NES version only. Beat that. 2. "Squeenix" is funnier. And neither one is capitalized. 3. The haterade tastes like chicken dressed with a special sauce made from ketchup and the crunchy roasted former powered-exoskeletons of weeaboos.
I need some names for dorms at Belphegor Academy of Magic.
One of them would obviously be de Rais Hall, because Gilles de Rais is the Principle [sic] of the Academy and an influential politician and almost certainly a wealthy benefator herself. Of course, her daughter Giee would live in the best room in dRH because that's something evil that even humans would do, so why wouldn't demons do it.
But I need other names. Rayne probably doesn't live in de Rais Hall, which is probably full of the snotty rich spoiled brat type, or at least so the stereotype goes.
As in other Romance languages, it is traditional to use the masculine form of nouns and pronouns when referring to both males and females. Advocates of gender-neutral language modification consider this to be sexist and favor new ways of writing and speaking.
One such way is using a «x», but one of its main alleged flaws is that it cannot be pronounced in a commonly agreed manner,[1] albeit it is more inclusive in genderqueer-friendly environments than the at-sign or the æ ligature, given the existence of gender identities like agender and demigender and/or the existence of gender-abolitionist people (they are different from agender people in that their reasons to not adopt any gender are based on ideology rather than inner identity). Other argument is that the at-sign and related symbols still take part from an idea that there is a gender binary, instead of trying to break away with this construct, among others.[2]
Comments
Hehe. Yeah I don't usually spend too much time looking at Doom remixes because most of the tracks are just ripoffs of metal tracks.
> Imipolex G > in any case, this might be my favorite off that album the 2.7 people who played Black Candles might know it from "Operation: Annihilate"
This one is pretty good too, now that I listen to it isolated. I didn't really notice it because the audio was too low while I was playing NT today. >_<
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
2. "Squeenix" is funnier. And neither one is capitalized.
3. The haterade tastes like chicken dressed with a special sauce made from ketchup and the crunchy roasted former powered-exoskeletons of weeaboos.
One of them would obviously be de Rais Hall, because Gilles de Rais is the Principle [sic] of the Academy and an influential politician and almost certainly a wealthy benefator herself. Of course, her daughter Giee would live in the best room in dRH because that's something evil that even humans would do, so why wouldn't demons do it.
But I need other names. Rayne probably doesn't live in de Rais Hall, which is probably full of the snotty rich spoiled brat type, or at least so the stereotype goes.
Also, Oculus is owned by Facebook. I had no idea.
Why is this underlined?
i can't remember whether i saw that or not
all i remember about asdf is 'i like trains' and 'throw the cheese' and 'i'm gonna do an internet'
As in other Romance languages,
it is traditional to use the masculine form of nouns and pronouns when
referring to both males and females. Advocates of gender-neutral
language modification consider this to be sexist and favor new ways of
writing and speaking.
One such way is using a «x», but one of its main alleged flaws is that it cannot be pronounced in a commonly agreed manner,[1] albeit it is more inclusive in genderqueer-friendly environments than the at-sign or the æ ligature, given the existence of gender identities like agender
and demigender and/or the existence of gender-abolitionist people (they
are different from agender people in that their reasons to not adopt
any gender are based on ideology rather than inner identity). Other
argument is that the at-sign and related symbols still take part from an
idea that there is a gender binary, instead of trying to break away
with this construct, among others.[2]
> gender-abolitionist people
Oh, I guess I'm not the only one.
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
They brought up Renee Montoya, a Spawn Villain, Parallax and frigging Groo the Wanderer. I'm the only one who knew who two of those were
They do not play with trivia.