"Z" is the most aesthetically perfect letter

Comments

  • I've learned to tolerate drama...except on the boat
    I object. It is clearly "S"
  • You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
    Anonus said:

    I object. It is clearly "S"

    You would
  • You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022

    I'm with Anonus here

    Oh come on, at least 'nonus has an excuse!
  • For once, or maybe twice, I was in my prime.
    O wins because it has the most forms of symmetry.
  • Touch the cow. Do it now.
    B, by far
  • “I'm surprised. Those clothes… but, aren't you…?”
    MetaFour said:

    O wins because it has the most forms of symmetry.


    O might be the one letter that generally looks good in any and all fonts.
  • You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
    For your consideration: ß
  • edited 2015-11-10 04:22:36
    “I'm surprised. Those clothes… but, aren't you…?”
    However.

    N and Z and S all have their own distinct merits. So does B, but it lacks the circular symmetry thing which, while interesting—I am personally a big fan of Glagolitic compound letters and Chinese and Japanese ideograms—is not quite as satisfying on that level.

    ^ Eszett is beszett.
  • Know your lines? Of course you know your lines! But I don't want to just hear your lines...I wanna hear what's in YOUR SOULS!!
    I should know this.
  • “I'm surprised. Those clothes… but, aren't you…?”
    Bee said:

    Z wins.




    Sassy Zoidberg.
  • I have cut a caper with the dancing mad god
    I would like to argue for the cursive 'G,' personally. It's always had a shape that is pleasant to pen. 

    I do really enjoy writing 'Z' with a strikethrough, however. 

    Lowercase 'q' gets an honorable mention, as I like doing the backwards tail. 
  • “I'm surprised. Those clothes… but, aren't you…?”
    Cursive capital G is highly aesthetically pleasing in that asymmetrical way I discussed earlier. It is also a rare overt instance of the shape of the "insular g" or "yogh" being reflected in modern orthography. All-around nifty and underrated.
  • I've learned to tolerate drama...except on the boat
    what about double story g
  • “I'm surprised. Those clothes… but, aren't you…?”
    That's a less overt instance of old practices being preserved, albeit primarily in typeface rather than actual writing, but it is a cool-looking letter as well.
  • It could be the way I write it, but capital E is pleasing to write. I draw a C them stick a line through the middle to make a pleasing, curved letter.
  • In fact, all my letters are curved. Even the ones with sharp edges, like v or z.
  • “I'm surprised. Those clothes… but, aren't you…?”
    So like a big epsilon. Cool!

    Traditionally, cursive v is actually curvier than cursive u.
  • You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
    When I worked in a warehouse doing picking/packing last year, I had to write part numbers all the time.

    I quickly ended up tweaking my handwriting to make certain things less ambiguous...like crossing my Z's to make sure they weren't mistaken for 2's.
  • Maybe it's because I model my typical handwriting after sans serifs, but I abhor using cross bars on Z's (and, for that matter, on 7's). They're unsightly and I refuse to include them.
  • Splat Charger Specialist
    I'm on team o.
  • edited 2015-11-11 19:31:54
  • Quick, give me a sentence to write out.
  • Touch the cow. Do it now.
    "ineluctable modality of the visible"
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