You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
N and Z and S all have their own distinct merits. So does B, but it lacks the circular symmetry thing which, while interesting—I am personally a big fan of Glagolitic compound letters and Chinese and Japanese ideograms—is not quite as satisfying on that level.
Cursive capital G is highly aesthetically pleasing in that asymmetrical way I discussed earlier. It is also a rare overt instance of the shape of the "insular g" or "yogh" being reflected in modern orthography. All-around nifty and underrated.
That's a less overt instance of old practices being preserved, albeit primarily in typeface rather than actual writing, but it is a cool-looking letter as well.
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
When I worked in a warehouse doing picking/packing last year, I had to write part numbers all the time.
I quickly ended up tweaking my handwriting to make certain things less ambiguous...like crossing my Z's to make sure they weren't mistaken for 2's.
Maybe it's because I model my typical handwriting after sans serifs, but I abhor using cross bars on Z's (and, for that matter, on 7's). They're unsightly and I refuse to include them.
Comments
O might be the one letter that generally looks good in any and all fonts.
N and Z and S all have their own distinct merits. So does B, but it lacks the circular symmetry thing which, while interesting—I am personally a big fan of Glagolitic compound letters and Chinese and Japanese ideograms—is not quite as satisfying on that level.
^ Eszett is beszett.
Sassy Zoidberg.
Traditionally, cursive v is actually curvier than cursive u.