Specifically, a low-class roguish and dishonest hero, usually satirizing high society and corruption. It's a genre with a lot of gold to be found, but also more prone than most genres to devolving into teenage bullshit. At best you get Han Solo. At worst you get Rob Liefeld.
If you want to make Myr cringe, think Catcher in the Rye, but instead of a well-to-do academy kid Holden is actually Sluggo. That's basically a picaresque.
Right, and the bad picaresque would be all of that run through Guy Gilchrist.
Like instead of being about how the wealthy are horrible people for systemic abuse of the poor and universal hypocrisy, it's about how they're horrible people for not liking the Beach Boys.
Specifically, a low-class roguish and dishonest hero, usually satirizing high society and corruption. It's a genre with a lot of gold to be found, but also more prone than most genres to devolving into teenage bullshit. At best you get Han Solo. At worst you get Rob Liefeld.
If you want to make Myr cringe, think Catcher in the Rye, but instead of a well-to-do academy kid Holden is actually Sluggo. That's basically a picaresque.
I guess so. Weren't all the Twig ones a little like that though? I could be way wrong, it's been a longass time, but as I recall the second and third books were also pretty much a series of misadventures, even if the characters had more of a well-defined "quest" in those ones.
I guess I was just surprised to see the first one in particular singled out because I have fond memories of the Twig books overall, moreso than the rest of the series.
i do too, with the possible exception of the curse of the gloamglozer which i remember fondly
but i do think there was something distinct about the form of the original one, which made the whole thing feel less structured, more confused
i mean i liked that about it, if anything it was my favourite, it's just a story about a kid lost in the woods stumbling from one horrible thing to the next, and that's what made it so great
stormchaser and midnight over sanctaphrax never felt quite so aimless, there was always more of a clear objective
I found the revelations about what happened to Twig and crew very upsetting. But yeah, I don't really remember the actual plots all that well either, just how I felt about them at the time. Entirely possible I would have a different opinion if I were to reread em.
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I have no context for picaresque either.
(Though, I recall liking Freeglader and Winter Knights a little better, but then I never read after that, oops.)