Man is a most complex simple creature: see what he weaves, and how base his reasons for doing so.
I feel like Jonathan Coulton, Shearwater, and Weird Al both change the context of the songs they cover to fit their performance, and the performances themselves aren't overbearing. They earned their passes.
The percussionist for Shearwater, Thor Harris, was a key member of the most recent Swans lineup, having previously played with Michael Gira in Angels of Light.
The percussionist for Shearwater, Thor Harris, was a key member of the most recent Swans lineup, having previously played with Michael Gira in Angels of Light.
I like Johnny Cash's Hurt better than the original.
That one was really good, for a number of reasons. The strength of the performance and the quality of the production were a part of it, the basic instrumentation, the fact that it wasn't overwrought.
But what made it really so great was that he recontextualized the lyrics, transformed it from a song about youthful angst into one about an older man's regret.
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That is a statement I have just made
both are practically different songs entirely than the original, which cannot be judged by the same standards
Speaking of which:
I'm sorry but this doesn't work either
(I liked "Stupid Hoe").
But what made it really so great was that he recontextualized the lyrics, transformed it from a song about youthful angst into one about an older man's regret.