^^ Thank you! Microtonality is an area of great interest for me, and there is a particular fascination for me in listening to such early music using such unconventional methods, at least in Western musical terms. The late Mediaeval/earlyRenaissance was particularly interesting, as it served as the period of transition between the post-Roman orthodoxy of Pythagorean tuning and the strict, simple harmony associated with it and the rise of new innovations like meantone temperments, wild polyphony and full-fledged chromaticism. The Costeley piece is an excellent example of all three of the latter.
Shame that the Baroque period had to come along and make everything super-simple and formal. Way to kill the fun, Monteverdi.
Indeed. That entire period was just a fountain of brilliant and strange ideas. The harmonies and intersecting rhythms in ars subtilior are insane, really gorgeous yet also so alien and unpredictable.
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Technically it's only 99 years old, but CLOSE ENOUGH.
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i get so angry sometimes i just punch plankton --Klinotaxis