Did I mention that several of these characters speak like white nationalists? "It's up to us, who are the dominant race," says Tom Buchanan, Daisy's husband, "to watch out or these other races will have control of things." "We've got to beat them down," Daisy concurs, cementing such an outlook as part and parcel of the novel's emotional marrow. "We're all white here," Nick's date Jordan offers later, an attempt to calm down a fight between the men, as if that fact alone should end the struggle over who owns Daisy's heart.
I mean, personally, I didn't think Catcher in the Rye was all that hot, but if I was going to write an article for pay about it, I would at least try to read some entry-level scholarship in case I misinterpreted something and was in danger of making a fool of myself. Trying to interpret a historically significant novel using *only* the novel's text is like critiquing Juvenal like you would John Oliver
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Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
I mean, personally, I didn't think Catcher in the Rye was all that hot, but if I was going to write an article for pay about it, I would at least try to read some entry-level scholarship in case I misinterpreted something and was in danger of making a fool of myself. Trying to interpret a historically significant novel using *only* the novel's text is like critiquing Juvenal like you would John Oliver
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead