It's one of those things that most of us really want to try at some point when we hear bad acting, but it turns out it's actually a LOT harder than we think and even harder to actually break into the industry. The main thing is, you can't just have A voice. You have to have LOTS of voices.
It's always fun to just break out impressions for the hell of it though. I feel like I'd do it more often if I could sing better, because for some reason I'm better at impersonating singing voices than speaking voices, but my range isn't up to snuff and I don't do well unaccompanied.
Yeah I remember an interview with Tara Strong a while back, and she ended up saying a huge chunk of it (after the years and years of rigorous practice and theatrical study) is just getting past studios' borderline incestuous hiring. Nobody likes taking risks on new blood.
The other option is to be like Edwyn Tiong and make a name for yourself by being the only honest-to-God VA in terrible Flash games, then get brought on by indies who actually know what they're doing.
But yeah has been a problem for every job I've seen. Husbands working for the city, their wives in comfy office jobs at the court, Guys working at powerplants, their girlfriends working the bill pay counters. Father giving little girl a job at the office despite me being far more qualified, social AND skilled. Bitch can barely sharpen a pencil before staring at her phone
I wasn't talking about literal nepotism, so much as everyone hiring the same patch of big names over and over. At least with film you get a steady stream of new blood from standup and theater and a bit of mixing the generations in the cast. But VA (especially for games and cartoons) is a lot more insular -- largely because the studios have just enough money to hire big names but just little enough to be very risk averse.
I've never thought about going into voice acting because I have terrible stage fright, but I wouldn't mind being on the other side of the glass, recording the VAs.
I wasn't talking about literal nepotism, so much as everyone hiring the same patch of big names over and over. At least with film you get a steady stream of new blood from standup and theater and a bit of mixing the generations in the cast. But VA (especially for games and cartoons) is a lot more insular -- largely because the studios have just enough money to hire big names but just little enough to be very risk averse.
is that changing at all? I notice the credits of shows like Steven Universe are, aside from Dee Bradley Baker, devoid of the usual suspects
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I'm going to start a podcast eventually though. I'm hoping I can improve through that, and then afterward I guess we'll see.
☭ B̤̺͍̰͕̺̠̕u҉̖͙̝̮͕̲ͅm̟̼̦̠̹̙p͡s̹͖ ̻T́h̗̫͈̙̩r̮e̴̩̺̖̠̭̜ͅa̛̪̟͍̣͎͖̺d͉̦͠s͕̞͚̲͍ ̲̬̹̤Y̻̤̱o̭͠u̥͉̥̜͡ ̴̥̪D̳̲̳̤o̴͙̘͓̤̟̗͇n̰̗̞̼̳͙͖͢'҉͖t̳͓̣͍̗̰ ͉W̝̳͓̼͜a̗͉̳͖̘̮n͕ͅt͚̟͚ ̸̺T̜̖̖̺͎̱ͅo̭̪̰̼̥̜ ̼͍̟̝R̝̹̮̭ͅͅe̡̗͇a͍̘̤͉͘d̼̜ ⚢
☭ B̤̺͍̰͕̺̠̕u҉̖͙̝̮͕̲ͅm̟̼̦̠̹̙p͡s̹͖ ̻T́h̗̫͈̙̩r̮e̴̩̺̖̠̭̜ͅa̛̪̟͍̣͎͖̺d͉̦͠s͕̞͚̲͍ ̲̬̹̤Y̻̤̱o̭͠u̥͉̥̜͡ ̴̥̪D̳̲̳̤o̴͙̘͓̤̟̗͇n̰̗̞̼̳͙͖͢'҉͖t̳͓̣͍̗̰ ͉W̝̳͓̼͜a̗͉̳͖̘̮n͕ͅt͚̟͚ ̸̺T̜̖̖̺͎̱ͅo̭̪̰̼̥̜ ̼͍̟̝R̝̹̮̭ͅͅe̡̗͇a͍̘̤͉͘d̼̜ ⚢
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
☭ B̤̺͍̰͕̺̠̕u҉̖͙̝̮͕̲ͅm̟̼̦̠̹̙p͡s̹͖ ̻T́h̗̫͈̙̩r̮e̴̩̺̖̠̭̜ͅa̛̪̟͍̣͎͖̺d͉̦͠s͕̞͚̲͍ ̲̬̹̤Y̻̤̱o̭͠u̥͉̥̜͡ ̴̥̪D̳̲̳̤o̴͙̘͓̤̟̗͇n̰̗̞̼̳͙͖͢'҉͖t̳͓̣͍̗̰ ͉W̝̳͓̼͜a̗͉̳͖̘̮n͕ͅt͚̟͚ ̸̺T̜̖̖̺͎̱ͅo̭̪̰̼̥̜ ̼͍̟̝R̝̹̮̭ͅͅe̡̗͇a͍̘̤͉͘d̼̜ ⚢
No matter how loud you shout "pick me", and established person shouts louder, from their $300 XLR mic.