Musician and comedian Tony Goldmark, on his Channel Awesome produced webseries "Some Jerk With A Camera" (which also films on-site at the Disney parks), criticized the film in a three part review, saying "Half of it bores me, half of it confuses me, and all of it pisses me off. It's not even pretentious. You need ambition to be pretentious. This is just fucking inept."[21] Goldmark also stated in his review that he is "not the least bit surprised" that Disney didn't push legal action against the film, claiming that "They would have Streisand Effected themselves into a laughingstock."[21] Despite his dissenting opinion on the film, Goldmark also claimed that the film's existence shows what anybody can do with modern technology, Saying:
Drew McWeeny couldn't have been more wrong. This film wasn't just possible, It was inevitable. No matter what some soulless YouTube bot on the wrong side of history may tell you, no one needs anyone's permission to make stuff anymore. We never did really, we just thought we did because they had all the resources. But now, we all have HD cameras in our pockets and worldwide distribution at our fingertips. And the very existence of Escape From Tomorrow means more symbolically than its content ever could, but its content is borderline unwatchable. Like a less racist Birth Of A Nation.[21]
You are the end result of a “would you push the button” prompt where the prompt was “you have unlimited godlike powers but you appear to all and sundry to be an impetuous child” – Zero, 2022
Confession Time, come on grab your friends, we'll go to very sinful lands
Musician and comedian Tony Goldmark, on his Channel Awesome produced webseries "Some Jerk With A Camera" (which also films on-site at the Disney parks), criticized the film in a three part review, saying "Half of it bores me, half of it confuses me, and all of it pisses me off. It's not even pretentious. You need ambition to be pretentious. This is just fucking inept."[21] Goldmark also stated in his review that he is "not the least bit surprised" that Disney didn't push legal action against the film, claiming that "They would have Streisand Effected themselves into a laughingstock."[21] Despite his dissenting opinion on the film, Goldmark also claimed that the film's existence shows what anybody can do with modern technology, Saying:
Drew McWeeny couldn't have been more wrong. This film wasn't just possible, It was inevitable. No matter what some soulless YouTube bot on the wrong side of history may tell you, no one needs anyone's permission to make stuff anymore. We never did really, we just thought we did because they had all the resources. But now, we all have HD cameras in our pockets and worldwide distribution at our fingertips. And the very existence of Escape From Tomorrow means more symbolically than its content ever could, but its content is borderline unwatchable. Like a less racist Birth Of A Nation.[21]
Goldmark himself is actually notable for a few reasons, but that citation isn't. If I'm not mistaken, it was a set of rant videos, not a formal review.
(cur | prev)00:55, 6 January 2016 Owlfarm88(talk | contribs) . .(40,352 bytes)(-1,738) . .(Undid revision 698419586 by TMobias (talk)User continually attempts to post review by a Disney fanboy with delusions of grandeur.) (undo)
(cur | prev)00:29, 6 January 2016 TMobias(talk | contribs) . .(42,090 bytes)(+1,738) . .(Undid revision 698317441 by Owlfarm88 (talk) User continually attempts to block negative review of the work by a critic more than qualified to do so.) (undo)
(cur | prev)10:11, 5 January 2016 Owlfarm88(talk | contribs) . .(40,352 bytes)(-1,761) . .(removed film "criticism" from an unrecognized (non-professional) source - not a legitimate media outlet.)(undo) (Tag: Visual edit)
(cur | prev)09:22, 5 January 2016 Jim1138(talk | contribs) . .(42,113 bytes)(+1,760) . .(Undid revision 698129663 by Jim1138 (talk) rv own edit - oopsie) (undo)
(cur | prev)04:21, 4 January 2016 108.80.14.30(talk) . .(42,175 bytes)(+1,761) . .(Undid revision 697940406 by Owlfarm88 (talk) Previous user undid a previous revisit, calling criticism (under the header of Reception) of the film a 'troll review') (undo)
Comments
Musician and comedian Tony Goldmark, on his Channel Awesome produced webseries "Some Jerk With A Camera" (which also films on-site at the Disney parks), criticized the film in a three part review, saying "Half of it bores me, half of it confuses me, and all of it pisses me off. It's not even pretentious. You need ambition to be pretentious. This is just fucking inept."[21] Goldmark also stated in his review that he is "not the least bit surprised" that Disney didn't push legal action against the film, claiming that "They would have Streisand Effected themselves into a laughingstock."[21] Despite his dissenting opinion on the film, Goldmark also claimed that the film's existence shows what anybody can do with modern technology, Saying:
I also once missed the chance to pick up Looney Tunes: Back in Action for several bucks.
I didn't like Space Jam all that much and think Back in Action may be better.
ANd I probably should have just linked or screencapped instead of posting all of that
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead
Assassin poems, Poems that shoot
guns. Poems that wrestle cops into alleys
and take their weapons leaving them dead