honestly? this is gonna sound really dumb and maybe even a little pretentious, but that honestly makes me doubt that he went to film school
because I mean, pulp fiction is a good movie, but if you go to fucking film school you are going to be exposed to so many very definitely better movies?????
it's actually sort of weird that you know who i'm talking about and I didn't really mean for this thread to start a conversation, but since it has, Alpacapatrol just strikes me as someone who puts on airs in general.
the thing that made me unsubscribe from his channel was him talking about how he doesn't like the flows of new rappers and then saying that one of his favorite rappers is Eminem.
it's actually sort of weird that you know who i'm talking about and I didn't really mean for this thread to start a conversation, but since it has, Alpacapatrol just strikes me as someone who puts on airs in general.
the thing that made me unsubscribe from his channel was him talking about how he doesn't like the flows of new rappers and then saying that one of his favorite rappers is Eminem.
this is like saying your favorite director is Michael Bay, but doing so after complaining about how soulless Hollywood is.
To be fair, there are a lot of popular modern rappers with much weaker flows than Eminem. But it is a pretty silly statement, and I get what you mean about the sentiment behind it.
the triplet flow, as overdone as it is, is infinitely more interesting than eminem's icanmakeliterallyanythingsoundlikeit'sbeingtypedinasinglewordwithnospacesorpauseslikeso rap.
incidentally, try taking strong positions sometime on whether Freestyle Fellowship, Slick Rick, or Lord Infamous invented triplet flow, makes for some very "fun" internet arguments
the triplet flow, as overdone as it is, is infinitely more interesting than eminem's icanmakeliterallyanythingsoundlikeit'sbeingtypedinasinglewordwithnospacesorpauseslikeso rap.
incidentally, try taking strong positions sometime on whether Freestyle Fellowship, Slick Rick, or Lord Infamous invented triplet flow, makes for some very "fun" internet arguments
I think both can be done well depending on the context, honestly.
By the by, I'm not sure what Daveed Digg's flow on the intro to Midcity is—it changes up a few times but a good chunk of it is this sort of skipping triplet thing utilising compound rhythms—but whatever it is, it's fucking awesome. I know you're not big on Clipping but the dude can kill it when he's on. (You might like the single "Something They Don't Know", though: It's basically a posse cut/story song hybrid and it has a truly bizarre ODB sample.)
I like him for both. He's got a knack for striking turns of phrase and nifty little feats of technical mastery that feel really effortless and natural in context.
Anyway that is one of the better recent Eminem verses not because he changes up his flow in any way but because the song's environment is suited for it.
Which just really reinforces my theory that contemporary Eminem is just either a slightly better or slightly worse Tech N9ne depending on the day.
god this interlude is annoying as shit I hate this wannabe Invisibl Skratch Picklz shit
Context...?
Oh, I guess you're listening to the song?
yes
the cut up interlude would've been a lot better with some kind of beat accompanying it instead of that weird uh
well I guess it was the ODB sample you were talking about. It was mostly just annoying.
If I'm not mistaken there is a beat going on there, but I can't recall. Thoughts on the rest of it, though? I personally really liked Daveed and Open Mike Eagle's verses on it.
Also: Is it Busta Rhymes' mission in life to salvage songs by mediocre-to-execrable artists or just a hobby?
I was about to say that this bit was the thing that stuck with me the most from that most recent Busdriver album but actually the thing that stuck with me the most was Busdriver's "the feds are using your phone data for revenge porn"
god this interlude is annoying as shit I hate this wannabe Invisibl Skratch Picklz shit
Context...?
Oh, I guess you're listening to the song?
yes
the cut up interlude would've been a lot better with some kind of beat accompanying it instead of that weird uh
well I guess it was the ODB sample you were talking about. It was mostly just annoying.
If I'm not mistaken there is a beat going on there, but I can't recall. Thoughts on the rest of it, though? I personally really liked Daveed and Open Mike Eagle's verses on it.
Also: Is it Busta Rhymes' mission in life to salvage songs by mediocre-to-execrable artists or just a hobby?
Chris Brown's not a bad artist (or wasn't at the time anyway), he's a bad person, there's a difference. There's also a good Lil Wayne verse on that tune.
Anyway, Busta Rhymes always delivers on guest verses but can't hold an album of his own to save his life. Bit of a bad tradeoff.
I like posse cuts usually but my favorite verse was by SB The Moor who I have not prior heard of, NoCanDo's was a close second. Only member of The Hellfyre Club I know of who knows how to let his lyrics breathe a bit.
SB The Moor raps with Diggs in True Neutral Crew and has released some really out-there solo stuff.
Actually, I haven't listened to "Something They Don't Know" in a while. I remember everyone being pretty on-point but they sort of blend into one continuous thing despite being distinct, like different perspectives in a story showing different personalities and angles to the same plot.
Technically, though, I do remember that it is far from Diggs' flashiest. The intros to both of their full-lengths are probably the most unfettered, seeing as I'm pretty sure they're just straight up freestyles meant to set the mood over harsh noise, but I feel like the noise component would be a bit too unpleasant for you.
the thing about Diggs is that he is a good but not amazing rapper on his own--he's not on the level of someone like Aesop Rock or MF DOOM, or even, again, Busta Rhymes--and he functions best as part of a larger machine, usually Clipping, whose production puts me off.
Thus while I am aware of Diggs' talents I can't really appreciate them.
Yeah, I get what you mean, even if I do feel differently. However, I will say that all parties in Clipping have progressed artistically with time, and you might want to give CLPPNG a spin if you haven't already. It's way less polarised than Midcity was, and everyone's at the top of their game, although "Work Work" is a biiiit deceptive as a single.
I think being friends involves sharing commonalities as opposed to like, sharing everything
heck, even with like sredni and I where we have a bunch of overlap generally speaking our core listening doesn't overlap all that much
yeah, I know
I just wish I could get you guys into DOOM or something but that would involve me being pushy, and I don't like doing that cuz I don't like having it done to me.
Comments
pulp fiction
because I mean, pulp fiction is a good movie, but if you go to fucking film school you are going to be exposed to so many very definitely better movies?????
automatically turn it off at this point
migos
that white kid who raps on youtube
whatever text-to-speech program lil ugly mane used for that one verse
I think both can be done well depending on the context, honestly.
By the by, I'm not sure what Daveed Digg's flow on the intro to Midcity is—it changes up a few times but a good chunk of it is this sort of skipping triplet thing utilising compound rhythms—but whatever it is, it's fucking awesome. I know you're not big on Clipping but the dude can kill it when he's on. (You might like the single "Something They Don't Know", though: It's basically a posse cut/story song hybrid and it has a truly bizarre ODB sample.)
Context...?
Oh, I guess you're listening to the song?
If I'm not mistaken there is a beat going on there, but I can't recall. Thoughts on the rest of it, though? I personally really liked Daveed and Open Mike Eagle's verses on it.
Also: Is it Busta Rhymes' mission in life to salvage songs by mediocre-to-execrable artists or just a hobby?
Actually, I haven't listened to "Something They Don't Know" in a while. I remember everyone being pretty on-point but they sort of blend into one continuous thing despite being distinct, like different perspectives in a story showing different personalities and angles to the same plot.
Technically, though, I do remember that it is far from Diggs' flashiest. The intros to both of their full-lengths are probably the most unfettered, seeing as I'm pretty sure they're just straight up freestyles meant to set the mood over harsh noise, but I feel like the noise component would be a bit too unpleasant for you.
heck, even with like sredni and I where we have a bunch of overlap generally speaking our core listening doesn't overlap all that much
the sharing of the enthusiasm and coming to a greater mutual understanding is the important component